Emma Prempeh
Born in London, England, 1996
Lives and works in London, England
Family and generational continuity is often the subject of Prempeh’s paintings, as relational ties are explored and questioned, through the depiction of her mother and grandmother and their experiences. The search of spirituality enables Prempeh to analyse existential questions that are projected upon her reality; the fear of death, memory, ancestral ties.
The starting point to Prempeh’s paintings is the matter of blackness – the tonal properties of the colour establishes the ground to her paintings and a cinematic basis to invoke and project memories of events, people, and places to emphasise an appreciation of ancestral time and relationships, selfhood and transformation. Schlag metal, a brass alloy of copper and zinc imitative of gold leaf, is a material that Prempeh applies to selected areas of her often large-scale paintings. Over time this oxidises creating slow, live visual changes that animate the image and create a meta-narrative around our experiences of the passing of time, memory and its representation.
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